From time to time people ask me why I am not producing art anymore.
I am. Continuously. And no matter how much I try to convince them of this, people like to ignore all the evidence to the contrary. Along with the art world in general most seem unwilling to grasp the idea that serious art can be made without oil paint or some equally well regarded media.
Art doesn’t need to be in an gallery. It doesn’t need to be in a frame or on a pedestal. These last two do seem to help people understand that they are to look at something in a different more reverential way whispering if they speak near it. Does that make something Art?
If an image is in a posh gold frame in an impressive gallery the inference is it must be among the best of its type and be worth real money. Maybe that makes it good art?
Personally my oil and water colour paintings were all about the interaction between light and form and atmosphere among other things. My etchings were more personal in nature, but also explored light. The few sculptures I could afford to create years ago were explorations of beautiful soft strong forms seen in the light.
It seems to me that the computer screen issues light and as such is more interesting than a painting which absorbs it. We can use technology with software to create the illusion of light, form, texture, atmosphere, colour and animation. The technology could be paint, ink, watercolour or 3D software such as 3ds Max, Maya, XSI, Lightwave and the like which permit the artist to create limitless environments with emotive lighting and let you walk round them. We can explore these environments as well as produce images from them. The standard 2d packages permit the creation of some stunning images and animations too.
I’m always baffled by the idea that computer art which is transient and uses technology which we know will soon be succeeded by something more impressive is less important in artistic terms than something framed in a gallery. It is certainly harder to sell a virtual image than a physical one as ‘art’. But this challenge to the monetary ‘value’ of something creative is surely one that validates the unsellable rather than reduces its worth to society.
A Van Gogh is now worth a fortune. When he painted them they were mostly worth nothing. Would he rather have had enough to live on and a little human respect and have his work classed as ‘worthy but minor’ or lived the difficult, hungry life he was forced into and years after his death find that the immensely rich are using his work as a monetary exchange (until his work becomes untrendy) while the public gawp in awe at something they were laughing at a few years ago.
Ironically the value of transient art and virtual images in the entertainment sector is immense. Films with beautiful soundtracks cost huge amounts to make and frequently produce a massive return at the box office. It is a shame that we spend so much more on entertainment than on things that matter like ending poverty.
But life is wonderful. We are living in a time of great opportunities. The very same technology that is used to create entertainment will soon be used to save lives and bring people from round the world closer together. That is one of the things art is about.